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Within the elements of this installation, lines become blurred between what could be a fossil or an artifact.  Skins, furs, scales, shells, eggs or cocoons become cradle envelopes ready to moult or to hatch into a new life; or transform into sarcophagi, sheltering the remains where life existed in the past.  The installation “Sacred Vessels” also reflects the shared belief expressed through the metaphor that compares the body to a temple.

Touring exhibition: Galerie Colline, Madawaska Historical Meseum, Edmundston, NB from August 12 to September 30, 2014 and at the Beaverbrook Art Gallery, Fredericton, NB from October 2, 2014 to January 11, 2015