{"id":2479,"date":"2023-10-26T14:38:50","date_gmt":"2023-10-26T17:38:50","guid":{"rendered":"https:\/\/gallantfournier.art\/a-propos\/"},"modified":"2025-06-22T08:13:48","modified_gmt":"2025-06-22T11:13:48","slug":"a-propos","status":"publish","type":"page","link":"https:\/\/gallantfournier.com\/fr\/a-propos\/","title":{"rendered":"\u00c0 propos"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#ffffff\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb id=\u00a0\u00bbbiography\u00a0\u00bb row_name=\u00a0\u00bbAbout\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0″ overlay_strength=\u00a0\u00bb0.95″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0″ 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row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbBiographie\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|font_size:72px|text_align:left\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u00a0\u00bb font_container=\u00a0\u00bbtag:h4|text_align:left|line_height:1em\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_column_text]Originaire du petit village de la Rivi\u00e8re-de-Sh\u00e9diac, \u00c9veline Gallant Fournier est une artiste multidisciplinaire qui habite la r\u00e9gion d’Edmundston depuis la fin des ann\u00e9es 70. <\/span>Ses oeuvres sont con\u00e7ues \u00e0 travers divers m\u00e9dias: la peinture, la sculpture, l’art num\u00e9rique, les installations et le land art. <\/span>L’art public fait aussi partie de son cheminement, notons entre autres Khronos, une oeuvre monumentale install\u00e9e en permanence au Jardin botanique du Nouveau-Brunswick. <\/span>\u00c9veline est aussi auteure et illustratrice d’un conte et d’un roman fantastique.<\/p>\n

Toujours en exploration et en qu\u00eate de nouvelles connaissances, elle a particip\u00e9 a plusieurs r\u00e9sidences d’artiste; sculpture bronze, Atelier du bronze, Inverness, Qu\u00e9bec – sculpture c\u00e9ramique de grande dimension, Centre des arts d’Edmundston – c\u00e9ramique dans l’ancienne technique japonaise du raku et de l’enfumage, Atelier Josiane Vedrine, Bic, Qu\u00e9bec – et en Land Art, Aux trois Plaquebi\u00e8res, \u00cele Lam\u00e8que.<\/p>\n

R\u00e9cipiendaire de plusieurs bourses de cr\u00e9ation, de d\u00e9veloppement professionnel et pour la r\u00e9alisation de projets d’art r\u00e9gionaux du Conseil des arts du Nouveau-Brunswick \u00c9veline a aussi remport\u00e9 plusieurs prix en Atlantique, au Qu\u00e9bec et en France. <\/span><\/p>\n

En 2014, elle devenait marraine du Festival des arts visuels en atlantique; et en 2016, elle remportait le prestigieux prix \u00c9loize, cat\u00e9gorie artiste de l’ann\u00e9e en arts visuels d\u00e9cern\u00e9 par l’Acad\u00e9mie des arts et des lettres de l’Atlantique. <\/span>\u00c9veline compte \u00e0 son actif une foule d’expositions individuelles et collectives au Canada, aux \u00c9tats-unis, en France, au Portugal et en Tunisie.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb 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gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb2\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbD\u00e9marche artistique\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|font_size:72px|text_align:left\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u00a0\u00bb font_container=\u00a0\u00bbtag:h4|text_align:left|line_height:1em\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_column_text]Le CORPS et le TEMPS sont au coeur de mon travail. Je suis profond\u00e9ment inspir\u00e9e par l’art pr\u00e9historique, les statuettes f\u00e9minines du pal\u00e9olithique et du n\u00e9olithique, l’arch\u00e9ologie et les mythologies du monde. J’explore l’essence primitive de la femme, son pouvoir de cr\u00e9ation et ses liens avec la terre et les cycles de la nature. tant dans les arts visuels que dans les \u00e9crits.<\/p>\n

Qu’il s’agisse de femmes-oiseaux, de femmes-cocons ou d’installations de ventres-carapaces, mon travail incarne le f\u00e9minin et prend souvent la forme d’arch\u00e9types ou d’hybrides. J’utilise des objets-art\u00e9facts patin\u00e9s par le temps ou tout autre mat\u00e9riau en r\u00e9sonnance avec l’oeuvre en cours. Je suis particuli\u00e8rement attir\u00e9e par la pierre et l’argile. J’imagine la prierre comme \u00e9tant les ossements de la terre et l’argile sa chair. <\/span><\/p>\n

D’autres fois, je cr\u00e9e des corps qui prennent la forme de r\u00e9cipients, de cocons ou de structures en pierre. C’est le cas de \u00ab\u00a0Khronos\u00a0\u00bb, un site monumental o\u00f9 les monolithes de granit font allusion \u00e0 des vert\u00e8bres ou \u00e0 une cage thoracique tendue vers le ciel. \u00c0 l’int\u00e9rieur de \u00ab\u00a0Khronos\u00a0\u00bb, la vie coule aux rythmes de la nature et change selon les personnes et les \u00e9v\u00e9nements qui r\u00e9sonnent dans son espace-corps.<\/p>\n

L’art \u00e9ph\u00e9m\u00e8re que je cr\u00e9e dans la nature me relie au passage du temps et au corps de la Terre-M\u00e8re. Je recycle souvent des \u00e9l\u00e9ments de mes installations \u00e9ph\u00e9m\u00e8res pour en faire de nouvelles oeuvres, op\u00e9rant ainsi une m\u00e9tamorphose dans leurs lignes d’existences. <\/span>Quelle que soit l’approche ou le m\u00e9dium utilis\u00e9, mes oeuvres naissent de mes explorations \u00e0 travers le TEMPS, dans les profondeurs du CORPS universel.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbtop\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#ffffff\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb id=\u00a0\u00bbcurriculum-vitae\u00a0\u00bb row_name=\u00a0\u00bbCurriculum Vitae\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0″ overlay_strength=\u00a0\u00bb0.3″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][divider line_type=\u00a0\u00bbNo Line\u00a0\u00bb custom_height=\u00a0\u00bb64″][vc_custom_heading text=\u00a0\u00bbCurriculum Vitae\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|font_size:72px|text_align:left\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u00a0\u00bb font_container=\u00a0\u00bbtag:h2|text_align:left|line_height:1em\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][divider line_type=\u00a0\u00bbFull Width Line\u00a0\u00bb line_thickness=\u00a0\u00bb1″ divider_color=\u00a0\u00bbextra-color-2″][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]PROJETS D’EXCEPTION<\/b><\/p>\n

    \n
  • 2018 Imaginarium, projet worldbuilding, \u00e9criture et art num\u00e9rique (en cours)<\/li>\n
  • 2014 Cocons, projet d’art nternational<\/li>\n
  • 2011 Khronos, \u00ab Earthwork \u00bb, art public permanent, Jardin botanique du Nouveau-Brunswick<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text]LITT\u00c9RATURE <\/b>(liste abr\u00e9g\u00e9e)<\/p>\n
      \n
    • 2021 H\u00e9ro\u00efnes jeunesse en bande dessin\u00e9e, atelier avec Karensac<\/li>\n
    • 2021 Salon du livre d’Edmundston (et 2009)<\/li>\n
    • 2020 Auteure et illustratrice du roman fantastique \u00ab Stella-Maris \u00bb, \u00c9diteur La Grande Mar\u00e9e<\/li>\n
    • 2020 Illustration livres jeunesse, atelier avec R\u00e9jean Roy<\/li>\n
    • 2019 The Art of Storytelling, classe de ma\u00eetre en ligne avec Neil Gaiman<\/li>\n
    • 2008 Auteure et illustratrice du r\u00e9cit \u00ab The Medusa of P\u2019tit-Sault \u00bb<\/li>\n
    • 2008 Bourse artsnb, Projet r\u00e9gional du Grand Edmundston, cr\u00e9ation et publication \u00ab La m\u00e9duse du P’tit-Sault \u00bb<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text]LANDART <\/b>(liste abr\u00e9g\u00e9e)<\/p>\n
        \n
      • 2025 Le r\u00e9ensauvagement de la d\u00e9esse (en cours)<\/li>\n
      • 2019 Fossiles, installations \u00e9ph\u00e9m\u00e8res itin\u00e9rantes, NB et Qc (en cours)<\/li>\n
      • 2017 R\u00e9sidence d’artiste, Aux Trois Plaquebi\u00e8res, Ste-Marie-St-Raphael, \u00cele Lam\u00e8que, NB (et 2015) <\/span><\/li>\n
      • 2014 Ab Ovo, installations \u00e9ph\u00e9m\u00e8res itin\u00e9rantes, NB et Qc (en cours)<\/li>\n
      • 2013 Radeau du d\u00e9sir, art in situ, Forum sur le statut professionnel de l’artiste, Shippagan, NB<\/li>\n
      • 2013 Capteurs de graines, installations \u00e9ph\u00e9m\u00e8res itin\u00e9rantes, NB (en cours)<\/li>\n
      • 2012 Oph\u00e9lie, installations \u00e9ph\u00e9m\u00e8res itin\u00e9rantes, NB (en cours)<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text]EXPOSITIONS INDIVIDUELLES<\/b><\/p>\n
          \n
        • 2021 Cabinet of Curiosities, Centre des arts d\u2019Edmundston, NB<\/li>\n
        • 2020 Curio, Festival d\u2019art actuel, vitrine sur rue, Edmundston, NB<\/li>\n
        • 2020 \u00c9clectic, Galerie Art-Artiste, Dieppe, NB<\/li>\n
        • 2016 Ephemeral, Akeley Gallery, Presque Isle, Me, USA <\/span><\/li>\n
        • 2015 Cycles, Centre des arts d\u2019Edmundston, NB <\/span><\/li>\n
        • 2014 Capteurs de graines, Festival des arts visuels en Atlantique, Caraquet, NB <\/span><\/li>\n
        • 2011 Traces, Galerie Colline, Edmundston, NB<\/li>\n
        • 2009 D\u00e9lire po\u00e9tique et le Bestiaire imaginaire, Place de l\u2019H\u00f4tel de ville, Edmundston, NB<\/li>\n
        • 2008 Naissance d’une l\u00e9gende, Mus\u00e9e Historique du Madawaska, Edmundston, NB<\/li>\n
        • 2007 Femmes de fer, SRC \u2013 Galerie Georges Goguen, Moncton, NB<\/li>\n
        • 2004 Auberge des Jardins, Saint-Jacques, NB<\/li>\n
        • 2003 Maison Webster, Sh\u00e9diac, NB<\/li>\n
        • 2003 Flora, Jardin botanique du Nouveau-Brunswick, Edmundston, NB<\/li>\n
        • 2002 Centre Culturel Aberdeen, Moncton, NB<\/li>\n
        • 2001 Jardin botanique du Nouveau-Brunswick, Edmundston, NB<\/li>\n
        • 1999 Cit\u00e9 des jeunes, Edmundston, NB<\/li>\n
        • 1998 Garage des artistes, Tracadie-Sheila, NB<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text]BOURSES, HONNEURS & DISTINCTIONS<\/b><\/p>\n
            \n
          • 2025 Bourse de cr\u00e9ation A, artsnb<\/li>\n
          • 2023 Bourse de d\u00e9veloppement professionnel, artsnb<\/li>\n
          • 2020 Bourse de cr\u00e9ation A, artsnb<\/li>\n
          • 2018 Bourse de cr\u00e9ation B, artsnb (and 2014, 2010)<\/li>\n
          • 2016 Laur\u00e9ate Prix \u00c9loizes, artiste de l’ann\u00e9e en arts visuels, Provinces de l’Atlantique<\/li>\n
          • 2014 Marraine, Festival des arts visuels en Atlantique, Caraquet, NB<\/li>\n
          • 2014 Oeuvre choisie, page couverture, \u00ab\u00a0Le statut professionnel de l’artiste au New Brunswick, AAAPNB<\/li>\n
          • 2012 Finaliste Prix \u00c9loizes, artiste de l’ann\u00e9e en arts visuels, Provinces de l’Atlantique<\/li>\n
          • 2011 Bourse de d\u00e9veloppement professionnel, artsnb (et 2009)<\/li>\n
          • 2011 Bourse, Projet R\u00e9gional du Grand Edmundston, artsnb (et 2009, 2008)<\/li>\n
          • 2010 Finaliste Prix \u00c9loizes, \u00e9v\u00e9nement de l’ann\u00e9e, Provinces de l’Atlantique<\/li>\n
          • 2009 Certificat de reconnaissance, Chambre des Communes, Ottawa<\/li>\n
          • 2009 Certificat de reconnaissance, \u00c9toile communautaire, Ville d’Edmundston (et 2007)<\/li>\n
          • 2008 Certificat de reconnaissance, Centre d\u2019immigration rurale, St-L\u00e9onard, NB<\/li>\n
          • 2006 Bourse de cr\u00e9ation C, artsnb (et 2004)<\/li>\n
          • 2004 M\u00e9daille d’or, Gala International des Arts Visuels, Montr\u00e9al<\/li>\n
          • 2003 3i\u00e8me Grand Prix, Gala International des Arts Visuels, CAPSQ, Montr\u00e9al<\/li>\n
          • 2001 Invit\u00e9e d’honneur, Salon International de Dordogne, France<\/li>\n
          • 2000 M\u00e9daille d’or, Salon International de Savignac L\u00e9drier, France<\/li>\n
          • 2000 M\u00e9daille de vermeil, Salon d\u2019automne International des Beaux-Arts de Montr\u00e9al<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text]R\u00c9SIDENCES D’ARTISTE<\/b><\/p>\n
              \n
            • 2018 Artiste en r\u00e9sidence, cr\u00e9ations en c\u00e9ramique et explorations gla\u00e7ures, Centre des arts d’Edmundston<\/li>\n
            • 2014 Artiste en r\u00e9sidence, sculpture c\u00e9ramique de grande dimension, Centre des arts Edmundston<\/li>\n
            • 2011 Artiste en r\u00e9sidence, c\u00e9ramique enfum\u00e9e et raku, Atelier Josianne Vidrine, Bic, Qu\u00e9bec<\/li>\n
            • 2008 Artiste en r\u00e9sidence, sculpture bronze, Atelier du bronze, Inverness, Qu\u00e9bec<\/li>\n<\/ul>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]EXPOSITIONS COLLECTIVES<\/b> (liste abr\u00e9g\u00e9e)<\/p>\n
                \n
              • 2025 La transmission inter-g\u00e9n\u00e9rationnelle, Galerie PBP, Centre Maillet, St-Basile, NB<\/li>\n
              • 2022 Ombr\u00e9, Gallery on Queen, Fredericton, NB<\/li>\n
              • 2022 Transgression, Mus\u00e9e historique du Madawaska, Edmundston, NB<\/li>\n
              • 2022 Circolo art & culture, Campbellton, NB (et 2019)<\/li>\n
              • 2021 \u0152uvres de passage, Centre des arts Edmundston, NB<\/li>\n
              • 2019 Incontournable, Centre des arts et de la culture, Dieppe, NB<\/li>\n
              • 2019 Elemental, New Brunswick Stone Sculptors, Saint-Jean et St-Andrews, NB<\/li>\n
              • 2018 900 Degrees and Rising, George Fry Gallery, Fredericton, NB<\/li>\n
              • 2017 Of the Earth & the Ethereal, Gallery on Queen, Fredericton, NB<\/li>\n
              • 2016 Five Acadiens artists, Gallery on Queen, Fredericton, NB<\/li>\n
              • 2016 J\u2019aime, je consomme, je me consume, Galerie Colline, Edmundston, NB<\/li>\n
              • 2016 (Re)voir, Finalistes prix \u00c9loizes, Centre des arts et de la culture, Dieppe, NB<\/li>\n
              • 2014 Dialogues Imagin\u00e9s, Galerie d\u2019art Beaverbrook, Fredericton, NB and Galerie Colline, Edmundston, NB<\/li>\n
              • 2010 Wolastoq \u2013 beau fleuve, Beaverbrook Art Gallery, Fredericton, NB<\/li>\n
              • 2010 Insect, Finaliste prix \u00c9loizes, Mus\u00e9e de Moncton, Moncton, NB<\/li>\n
              • 2009 Insecte, Mus\u00e9e du Bas St-Laurent, Rivi\u00e8re-du-Loup, Qc<\/li>\n
              • 2008 Insecte, Beaverbrook Art Gallery, Fredericton, NB et Galerie Colline, Edmundston, NB 2006<\/li>\n
              • 2007 Curiosit\u00e9s esth\u00e9tiques, Galerie Colline, Edmundston, NB<\/li>\n
              • 2006 Fragilit\u00e9, Galerie Beaus\u00e9jour, Moncton, NB<\/li>\n
              • 2006 Federation Gallery, Vancouver, BC (et 2005, 2004, 2003, 2002, 2001, 2000)<\/li>\n
              • 2005 Mus\u00e9e de Tunis, Palais Kheireddine, Tunisie<\/li>\n
              • 2005 Galeria da Escola, Jaime Cortesao, Combria, Portugal<\/li>\n
              • 2004 Galerie Lacroix, Qu\u00e9bec, Qc (et 2002)<\/li>\n
              • 2004 Salle du Donjon, Pons, France<\/li>\n
              • 2004 Exposition Internationale de Cravans, France<\/li>\n
              • 2004 Cloitre des Carmes, Jonzac, France<\/li>\n
              • 2004 Chemins du monde acadien, Inverness, Yarmouth et Sydney, N\u00c9<\/li>\n
              • 2004 Centre culturel Popesco, Montr\u00e9al, Qc<\/li>\n
              • 2003 Galerie du collectionneur, (Saibam) Montr\u00e9al, Qc<\/li>\n
              • 2003 Galerie Vivarts, Laval, Qc<\/li>\n
              • 2003 Complexe American Can, Montr\u00e9al, Qc<\/li>\n
              • 2003 Galerie Lacroix, Qu\u00e9bec, Qc<\/li>\n
              • 2002 Salon d\u2019automne International des Beaux-Arts de Montr\u00e9al, Qc<\/li>\n
              • 2001 Figuring Reality, Agora Gallery, New York, USA<\/li>\n
              • 2001 Hummingbird Centre for the Performing Arts, Toronto, On<\/li>\n
              • 2001 Salon International, Saint-Vincent sur l\u2019Isle, France<\/li>\n
              • 2000 Salon International, Savignac L\u00e9drier, France<\/li>\n
              • 2000 Salon International, Beyssac, France<\/li>\n
              • 2000 Salon International, Saint-Sornin Lavolps, France<\/li>\n
              • 2000 Exposition internationale du Mill\u00e9nium, Miramichi, NB<\/li>\n
              • 2000 Salon d\u2019automne International des Beaux-Arts de Montr\u00e9al<\/li>\n
              • 1998 Mus\u00e9e acadien du Qu\u00e9bec, Bonaventure, Qc<\/li>\n
              • 1997 Mille saisons, Mus\u00e9e acadien du Qu\u00e9bec, Bonaventure, Qc <\/span><\/li>\n
              • 1993 Galerie du Haut-St-Jean, Saint-Basile, NB<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text]D\u00c9VELOPPEMENT PROFESSIONNEL<\/b> (liste abr\u00e9g\u00e9e)<\/p>\n
                  \n
                • 2023 Atelier en art public avec Julien Lebargy<\/li>\n
                • 2020 L\u2019\u00e9volution des arts visuels au XXe si\u00e8cle II, Mus\u00e9e historique du Madawaska (et 2019)<\/li>\n
                • 2017 L\u2019art moderne et contemporain en 5 gestes, cours en ligne Centre Pompidou, Paris, France<\/li>\n
                • 2016 Learning from knowledge keepers of Mi\u2019kma\u2019ki, cours en ligne, Cape Breton University, NS<\/li>\n
                • 2016 Cours, L\u2019histoire de la beaut\u00e9 I, Universit\u00e9 de Moncton, Campus Edmundston (et 2015)<\/li>\n
                • 2016 Atelier \u00ab L\u2019art visuel s\u2019\u00e9crit \u00bb avec Serge Murphy, Commissaire<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text]CONF\u00c9RENCES, TABLES-RONDES, RENCONTRES AVEC LE PUBLIC<\/b> (liste abr\u00e9g\u00e9e_<\/p>\n
                    \n
                  • 2021 Conf\u00e9rence, \u00ab L\u2019atelier d\u2019artiste \u2013 Cabinet de curiosit\u00e9s \u00bb, Edmundston Art Center, NB<\/li>\n
                  • 2019 Conf\u00e9rence, \u00ab Coup d\u2019\u0153il, processus et influences \u00bb, Mus\u00e9e historique du Madawaska, NB<\/li>\n
                  • 2015 Conf\u00e9rence, \u00ab Art, nature & environnement \u00bb, Centre des arts d’Edmundston<\/li>\n
                  • 2014 Conf\u00e9rence, \u00ab Ponctuations \u00bb, Festival des arts visuels en atlantique, Caraquet, NB<\/li>\n
                  • 2012 Cercle des cr\u00e9ateurs, repr\u00e9sentante arts visuels, Gala prix \u00c9loizes, Bathurst, NB<\/li>\n<\/ul>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_background\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#323232″ scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bblight\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb id=\u00a0\u00bbwheretofind\u00a0\u00bb row_name=\u00a0\u00bbWhere to find\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0″ overlay_strength=\u00a0\u00bb0.3″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb enable_shape_divider=\u00a0\u00bbtrue\u00a0\u00bb shape_divider_color=\u00a0\u00bb#646464″ shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb shape_divider_height=\u00a0\u00bb200″ bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb shape_type=\u00a0\u00bbmountains\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbpadding-6-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbO\u00f9 trouver\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|font_size:72|text_align:center\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][\/vc_column][\/vc_row]\n","protected":false},"excerpt":{"rendered":"

                    [vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#ffffff\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb id=\u00a0\u00bbbiography\u00a0\u00bb row_name=\u00a0\u00bbAbout\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0″ overlay_strength=\u00a0\u00bb0.95″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb shape_divider_position=\u00a0\u00bbbottom\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb shape_type=\u00a0\u00bb\u00a0\u00bb][vc_column column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb column_position=\u00a0\u00bbdefault\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/1″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_row_inner equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbBiographie\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|font_size:72px|text_align:left\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u00a0\u00bb font_container=\u00a0\u00bbtag:h4|text_align:left|line_height:1em\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_column_text]Originaire du petit village de la Rivi\u00e8re-de-Sh\u00e9diac, \u00c9veline Gallant Fournier est une artiste multidisciplinaire qui habite la r\u00e9gion d’Edmundston depuis la fin des ann\u00e9es 70. Ses oeuvres sont con\u00e7ues \u00e0 travers divers m\u00e9dias: la peinture, la sculpture, l’art num\u00e9rique, les installations et le land art. L’art public fait aussi partie de son cheminement, notons entre autres Khronos, une oeuvre monumentale install\u00e9e en permanence au Jardin botanique du Nouveau-Brunswick. \u00c9veline est aussi auteure et illustratrice d’un conte et d’un roman fantastique. Toujours en exploration et en qu\u00eate de nouvelles connaissances, elle a particip\u00e9 a plusieurs r\u00e9sidences d’artiste; sculpture bronze, Atelier du bronze, Inverness, Qu\u00e9bec – sculpture c\u00e9ramique de grande dimension, Centre des arts d’Edmundston – c\u00e9ramique dans l’ancienne technique japonaise du raku et de l’enfumage, Atelier Josiane Vedrine, Bic, Qu\u00e9bec – et en Land Art, Aux trois Plaquebi\u00e8res, \u00cele Lam\u00e8que. R\u00e9cipiendaire de plusieurs bourses de cr\u00e9ation, de d\u00e9veloppement professionnel et pour la r\u00e9alisation de projets d’art r\u00e9gionaux du Conseil des arts du Nouveau-Brunswick \u00c9veline a aussi remport\u00e9 plusieurs prix en Atlantique, au Qu\u00e9bec et en France. En 2014, elle devenait marraine du Festival des arts visuels en atlantique; et en 2016, elle remportait le prestigieux prix \u00c9loize, cat\u00e9gorie artiste de l’ann\u00e9e en arts visuels d\u00e9cern\u00e9 par l’Acad\u00e9mie des arts et des lettres de l’Atlantique. \u00c9veline compte \u00e0 son actif une foule d’expositions individuelles et collectives au Canada, aux \u00c9tats-unis, en France, au Portugal et en Tunisie.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb 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animation_type=\u00a0\u00bbentrance\u00a0\u00bb animation=\u00a0\u00bbNone\u00a0\u00bb hover_animation=\u00a0\u00bbnone\u00a0\u00bb alignment=\u00a0\u00bb\u00a0\u00bb border_radius=\u00a0\u00bbnone\u00a0\u00bb box_shadow=\u00a0\u00bbnone\u00a0\u00bb image_loading=\u00a0\u00bbdefault\u00a0\u00bb max_width=\u00a0\u00bb100%\u00a0\u00bb max_width_mobile=\u00a0\u00bbdefault\u00a0\u00bb][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbpadding-4-percent\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0″ gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb2\/3″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbD\u00e9marche artistique\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|font_size:72px|text_align:left\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u00a0\u00bb font_container=\u00a0\u00bbtag:h4|text_align:left|line_height:1em\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_column_text]Le CORPS et le TEMPS sont au coeur de mon travail. Je suis profond\u00e9ment inspir\u00e9e par l’art pr\u00e9historique, les statuettes f\u00e9minines du pal\u00e9olithique et du n\u00e9olithique, l’arch\u00e9ologie et les mythologies du monde. J’explore l’essence primitive de la femme, son pouvoir de cr\u00e9ation et ses liens avec la terre et les cycles de la nature. tant dans les arts visuels que dans les \u00e9crits. Qu’il s’agisse de femmes-oiseaux, de femmes-cocons ou d’installations de ventres-carapaces, mon travail incarne le f\u00e9minin et prend souvent la forme d’arch\u00e9types ou d’hybrides. J’utilise des objets-art\u00e9facts patin\u00e9s par le temps ou tout autre mat\u00e9riau en r\u00e9sonnance avec l’oeuvre en cours. Je suis particuli\u00e8rement attir\u00e9e par la pierre et l’argile. J’imagine la prierre comme \u00e9tant les ossements de la terre et l’argile sa chair. D’autres fois, je cr\u00e9e des corps qui prennent la forme de r\u00e9cipients, de cocons ou de structures en pierre. C’est le cas de \u00ab\u00a0Khronos\u00a0\u00bb, un site monumental o\u00f9 les monolithes de granit font allusion \u00e0 des vert\u00e8bres ou \u00e0 une cage thoracique tendue vers le ciel. \u00c0 l’int\u00e9rieur de \u00ab\u00a0Khronos\u00a0\u00bb, la vie coule aux rythmes de la nature et change selon les personnes et les \u00e9v\u00e9nements qui r\u00e9sonnent dans son espace-corps. L’art \u00e9ph\u00e9m\u00e8re que je cr\u00e9e dans la nature me relie au passage du temps et au corps de la Terre-M\u00e8re. Je recycle souvent des \u00e9l\u00e9ments de mes installations \u00e9ph\u00e9m\u00e8res pour en faire de nouvelles oeuvres, op\u00e9rant ainsi une m\u00e9tamorphose dans leurs lignes d’existences. Quelle que soit l’approche ou le m\u00e9dium utilis\u00e9, mes oeuvres naissent de mes explorations \u00e0 travers le TEMPS, dans les profondeurs du CORPS universel.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbtop\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#ffffff\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb id=\u00a0\u00bbcurriculum-vitae\u00a0\u00bb row_name=\u00a0\u00bbCurriculum Vitae\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0″ 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tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][divider line_type=\u00a0\u00bbNo Line\u00a0\u00bb custom_height=\u00a0\u00bb64″][vc_custom_heading text=\u00a0\u00bbCurriculum Vitae\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|font_size:72px|text_align:left\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u00a0\u00bb font_container=\u00a0\u00bbtag:h2|text_align:left|line_height:1em\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][divider line_type=\u00a0\u00bbFull Width Line\u00a0\u00bb line_thickness=\u00a0\u00bb1″ divider_color=\u00a0\u00bbextra-color-2″][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1″ background_hover_color_opacity=\u00a0\u00bb1″ column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3″ width=\u00a0\u00bb1\/2″ tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]PROJETS D’EXCEPTION 2018 Imaginarium, projet worldbuilding, \u00e9criture et art num\u00e9rique (en cours) 2014 Cocons, projet d’art nternational 2011 Khronos, \u00ab Earthwork \u00bb, art public permanent, Jardin botanique du Nouveau-Brunswick [\/vc_column_text][vc_column_text]LITT\u00c9RATURE (liste abr\u00e9g\u00e9e) 2021 H\u00e9ro\u00efnes jeunesse en bande dessin\u00e9e, atelier avec Karensac 2021 Salon du livre d’Edmundston (et 2009) 2020 Auteure et illustratrice du roman fantastique \u00ab Stella-Maris \u00bb, \u00c9diteur La Grande Mar\u00e9e 2020 Illustration livres jeunesse, atelier avec R\u00e9jean Roy 2019 The Art of Storytelling, classe de ma\u00eetre en ligne avec Neil Gaiman 2008 Auteure et illustratrice du r\u00e9cit \u00ab The Medusa of P\u2019tit-Sault \u00bb 2008 Bourse artsnb, Projet r\u00e9gional du Grand Edmundston, cr\u00e9ation et publication \u00ab La m\u00e9duse du P’tit-Sault \u00bb [\/vc_column_text][vc_column_text]LANDART (liste abr\u00e9g\u00e9e) 2025 Le r\u00e9ensauvagement de la d\u00e9esse (en cours) 2019 Fossiles, installations \u00e9ph\u00e9m\u00e8res itin\u00e9rantes, NB et Qc (en cours) 2017 R\u00e9sidence d’artiste, Aux Trois Plaquebi\u00e8res, Ste-Marie-St-Raphael, \u00cele Lam\u00e8que, NB (et 2015) 2014 Ab Ovo, installations \u00e9ph\u00e9m\u00e8res itin\u00e9rantes, NB et Qc (en cours) 2013 Radeau du d\u00e9sir, art in situ, Forum sur le statut professionnel de l’artiste, Shippagan, NB 2013 Capteurs 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