{"id":2479,"date":"2023-10-26T14:38:50","date_gmt":"2023-10-26T17:38:50","guid":{"rendered":"https:\/\/gallantfournier.art\/a-propos\/"},"modified":"2026-04-29T17:38:46","modified_gmt":"2026-04-29T20:38:46","slug":"a-propos","status":"publish","type":"page","link":"https:\/\/gallantfournier.com\/fr\/a-propos\/","title":{"rendered":"\u00c0 propos"},"content":{"rendered":"[vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#ffffff\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb id=\u00a0\u00bbbiography\u00a0\u00bb row_name=\u00a0\u00bbAbout\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0&Prime; 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painting, sculpture, digital art, installations and Landart.<span class=\"Apple-converted-space\">  <\/span>Public art is also part of her journey, including Khronos, a monumental work on permanent display at the New Brunswick Botanical Garden.<span class=\"Apple-converted-space\">  <\/span>\u00c9veline is also the author and illustrator of a tale and a fantasy novel.<\/p>\n<p>Always exploring and seeking new knowledge, she has participated in several artist residencies: bronze sculptures, Atelier du bronze, Inverness, Quebec \u2013 large scale ceramic sculptures, Edmundston Art Center \u2013 smoke fired ceramic and in the ancient Japanese technique of raku, Atelier Josiane Vedrine, Bic, Quebec \u2013 and in Landart, Aux trois Plaquebi\u00e8res, Lam\u00e8que Island.<\/p>\n<p>Recipient of several grants for creation, professional development and for the realization of regional community arts projects from the New Brunswick Arts Board; \u00c9veline was also awarded prizes in Atlantic Canada, Qu\u00e9bec and France. <span class=\"Apple-converted-space\"> <\/span><\/p>\n<p>In 2014 she was godmother for the Atlantic Visual Arts Festival; and in 2016, she won the prestigious Prix \u00c9loize for visual artist of the year, awarded by the Atlantic Academy of Arts and Letters.<span class=\"Apple-converted-space\">  <\/span>\u00c9veline has had numerous solo and group exhibitions in Canada, the United-States, France, Portugal and Tunisia.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1&Prime; background_hover_color_opacity=\u00a0\u00bb1&Prime; column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3&Prime; width=\u00a0\u00bb1\/2&Prime; tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][image_with_animation image_url=\u00a0\u00bb90&Prime; 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background_hover_color_opacity=\u00a0\u00bb1&Prime; column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0&Prime; gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3&Prime; width=\u00a0\u00bb2\/3&Prime; tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbD\u00e9marche artistique\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|font_size:72px|text_align:left\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u00a0\u00bb font_container=\u00a0\u00bbtag:h4|text_align:left|line_height:1em\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_column_text]The BODY and TIME are at the core of my work. I am deeply inspired by prehistoric art, Paleolithic and Neolithic female statuettes, archeology and world mythologies. I explore the primitive essence of women, their creative power and their connection to the earth and the cycles of nature, in both in my visual art and my writings.<\/p>\n<p>Whether it is a bird-woman, cocoon-woman or a womb shell installation, my work embodies the feminine and often takes the form of archetypes or hybrids. I use objects-artifacts that carry a patina of time or any other material that resonates with the work in progress. I am particularly drawn to stone and clay. I imagine stone as the bones of the earth and clay as its flesh.<span class=\"Apple-converted-space\"> <\/span><\/p>\n<p>Other times I create bodies that take the form of vessels, cocoons or stone structures. This is the case with \u00ab\u00a0Khronos\u00a0\u00bb, a monumental site-specific earthwork where the granite monoliths allude to vertebrae or a rib cage stretching towards the sky. Inside \u00ab\u00a0Khronos\u00a0\u00bb, life flows with the rhythms of nature and changes according to the people and events that resonate in its body-space.<\/p>\n<p>The ephemeral art that I create in nature connects me to the passage of time and the body of Mother Earth. I often recycle elements of my ephemeral installations to make new works, thus operating a metamorphosis in their lines of existence.<span class=\"Apple-converted-space\">  <\/span>Whatever the approach or the medium used, my works are born from my explorations through TIME, deep into the womb of the universal BODY.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbtop\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#ffffff\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb id=\u00a0\u00bbcurriculum-vitae\u00a0\u00bb row_name=\u00a0\u00bbCurriculum Vitae\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0&Prime; 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tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb tablet_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb phone_text_alignment=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][divider line_type=\u00a0\u00bbNo Line\u00a0\u00bb custom_height=\u00a0\u00bb64&Prime;][vc_custom_heading text=\u00a0\u00bbCurriculum Vitae\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|font_size:72px|text_align:left\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u00a0\u00bb font_container=\u00a0\u00bbtag:h2|text_align:left|line_height:1em\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][divider line_type=\u00a0\u00bbFull Width Line\u00a0\u00bb line_thickness=\u00a0\u00bb1&Prime; divider_color=\u00a0\u00bbextra-color-2&Prime;][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1&Prime; background_hover_color_opacity=\u00a0\u00bb1&Prime; column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3&Prime; width=\u00a0\u00bb1\/2&Prime; tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]<b>SINGULAR PROJETS<\/b><\/p>\n<ul>\n<li>2018 Imaginarium, worldbuilding project, writing and digital art (ongoing)<\/li>\n<li>2014 Cocons, international art project<\/li>\n<li>2011 Khronos, \u00ab Earthwork \u00bb, permanent, public art Nouveau-Brunswick Botanical Garden<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text]<b>LITT\u00c9RATURE <\/b>(liste abr\u00e9g\u00e9e)<\/p>\n<ul>\n<li>2026 Cosmogonie et rituels, retraite d&rsquo;\u00e9criture avec Audr\u00e9e Wihelmy<\/li>\n<li>2021 H\u00e9ro\u00efnes jeunesse en bande dessin\u00e9e, atelier avec Karensac<\/li>\n<li>2021 Salon du livre d&rsquo;Edmundston (et 2009)<\/li>\n<li>2020 Auteure et illustratrice du roman fantastique \u00ab Stella-Maris \u00bb, Publisher La Grande Mar\u00e9e<\/li>\n<li>2020 Illustrating children\u2019s books, workshop with R\u00e9jean Roy<\/li>\n<li>2019 The Art of Storytelling, online MasterClass with Neil Gaiman<\/li>\n<li>2008 Auteure et illustratrice \u00ab The Medusa of P\u2019tit-Sault \u00bb<\/li>\n<li>2008 Regional Arts Grant, artsnb, creation and publication \u00ab The Medusa of P\u2019tit-sault \u00bb<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text]<b>LANDART <\/b>(Selected)<\/p>\n<ul>\n<li>2025 The Rewilding of the Goddess (ongoing)<\/li>\n<li>2019 Fossils, travelling ephemeral installations, NB et Qc (ongoing)<\/li>\n<li>2017 Artist Residency, Aux Trois Plaquebi\u00e8res, Ste-Marie-St-Raphael, \u00cele Lam\u00e8que, NB (and 2015)<span class=\"Apple-converted-space\"> <\/span><\/li>\n<li>2014 Ab Ovo, installations \u00e9ph\u00e9m\u00e8res dans la nature, NB et Qc (ongoing)<\/li>\n<li>2013 Radeau du d\u00e9sir, art in situ, Forum of the Professional Status of Artists, Shippagan, NB<\/li>\n<li>2013 Seed Catchers, travelling ephemeral installations, NB (ongoing)<\/li>\n<li>2012 Ophelia, travelling ephemeral installations, NB (ongoing)<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text]<b>EXPOSITIONS SOLO<\/b><\/p>\n<ul>\n<li>2026 R\u00e9ensauvagement de la d\u00e9esse, Galerie Colline, Edmundston, NB<\/li>\n<li>2021 Cabinet de curiosit\u00e9s, Centre des arts d\u2019Edmundston, NB<\/li>\n<li>2020 Curio, Festival d\u2019art actuel, vitrine sur rue, Edmundston, NB<\/li>\n<li>2020 \u00c9clectic, Galerie Art-Artiste, Dieppe, NB<\/li>\n<li>2016 Ephemeral, Akeley Gallery, Presque Isle, Me, USA<span class=\"Apple-converted-space\"> <\/span><\/li>\n<li>2015 Cycles, Centre des arts d\u2019Edmundston, NB<span class=\"Apple-converted-space\"> <\/span><\/li>\n<li>2014 Capteurs de graines, Festival des arts visuels en Atlantique, Caraquet, NB<span class=\"Apple-converted-space\"> <\/span><\/li>\n<li>2011 Traces, Galerie Colline, Edmundston, NB<\/li>\n<li>2009 Poetic Delirium and the Imaginary Bestiary, Place de l\u2019H\u00f4tel de ville, Edmundston, NB<\/li>\n<li>2008 Naissance d&rsquo;une l\u00e9gende, Mus\u00e9e Historique du Madawaska, Edmundston, NB<\/li>\n<li>2007 Femmes de fer \u2013 Galerie Georges Goguen, Moncton, NB<\/li>\n<li>2004 Auberge des Jardins, Saint-Jacques, NB<\/li>\n<li>2003 Maison Webster, Sh\u00e9diac, NB<\/li>\n<li>2003 Flora, Jardin botanique du Nouveau-Brunswick, Edmundston, NB<\/li>\n<li>2002 Centre Culturel Aberdeen, Moncton, NB<\/li>\n<li>2001 Jardin botanique du Nouveau-Brunswick, Edmundston, NB<\/li>\n<li>1999 Cit\u00e9 des jeunes, Edmundston, NB<\/li>\n<li>1998 Garage des artistes, Tracadie-Sheila, NB<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text]<b>GRANTS, HONORS &#038; DISTINCTIONS<\/b><\/p>\n<ul>\n<li>2025 Creation Grant A, artsnb<\/li>\n<li>2023 Career Development Grant, artsnb<\/li>\n<li>2020 Creation Grant A, artsnb<\/li>\n<li>2018 Creation Grant B, artsnb (and 2014, 2010)<\/li>\n<li>2016 Recipient Prix \u00c9loizes, artist of the year in visual arts, Atlantic Provinces<\/li>\n<li>2014 Godmother, Festival des arts visuels en Atlantique, Caraquet, NB<\/li>\n<li>2014 Selected work, cover, The professional Status of Artists in New Brunswick, AAAPNB<\/li>\n<li>2012 Finalist Prix \u00c9loizes, artist of the year in visual arts, Atlantic Provinces<\/li>\n<li>2011 Professionnal Development Grant, artsnb (and 2009)<\/li>\n<li>2011 Regional Arts Grant, artsnb (and 2009, 2008)<\/li>\n<li>2010 Finalist Prix \u00c9loizes, event of the year, Atlantic Provinces<\/li>\n<li>2009 Certificat of recognition, House of Commons, Ottawa<\/li>\n<li>2009 Certificat of recognition, Community Star, City of Edmundston (and 2007)<\/li>\n<li>2008 Certificat of recognition, Centre d\u2019immigration rurale, St-L\u00e9onard, NB<\/li>\n<li>2006 Creation Grant C, artsnb (and 2004)<\/li>\n<li>2004 Gold Medal, Gala International des Arts Visuels, Montr\u00e9al<\/li>\n<li>2003 3rd Grand Prize, Gala International des Arts Visuels, CAPSQ, Montr\u00e9al<\/li>\n<li>2001 Guest of Honor, Salon International de Dordogne, France<\/li>\n<li>2000 Gold Medal, Salon International de Savignac L\u00e9drier, France<\/li>\n<li>2000 Vermeil Medal, Salon d\u2019automne International des Beaux-Arts de Montr\u00e9al<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text]<b>ARTIST RESIDENCIES<\/b><\/p>\n<ul>\n<li>2018 Artist in Residence, Ceramic Sculpture and Glaze Research, Edmundston Art Centre<\/li>\n<li>2014 Artist in Residence, Large Ceramic Sculpture, Edmundston Art Centre<\/li>\n<li>2011 Artist Residency, Smoke fired ceramic and raku, Atelier Josianne Vidrine, Bic, Qu\u00e9bec<\/li>\n<li>2008 Artist Residency, Bronze Sculpture, Atelier du bronze, Inverness, Qu\u00e9bec<\/li>\n<\/ul>\n[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1&Prime; background_hover_color_opacity=\u00a0\u00bb1&Prime; column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3&Prime; width=\u00a0\u00bb1\/2&Prime; tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]EXPOSITIONS COLLECTIVES (liste abr\u00e9g\u00e9e)<\/p>\n<ul>\n<li>2026 Accroche-Coeur, Galerie Colline, Edmundston, NB<\/li>\n<li>2025 La transmission inter-g\u00e9n\u00e9rationnelle, Galerie PBP, Centre Maillet, St-Basile, NB<\/li>\n<li>2022 Ombr\u00e9, Gallery on Queen, Fredericton, NB<\/li>\n<li>2022 Transgression, Mus\u00e9e historique du Madawaska, Edmundston, NB<\/li>\n<li>2022 Circolo art &#038; culture, Campbellton, NB (and 2019)<\/li>\n<li>2021 \u0152uvres de passage, Centre des arts d\u2019Edmundston, NB<\/li>\n<li>2019 Incontournable, Centre des arts et de la culture, Dieppe, NB<\/li>\n<li>2019 Elemental, New Brunswick Stone Sculptors, Saint-Jean et St-Andrews, NB<\/li>\n<li>2018 900 degrees and rising, George Fry Gallery, Fredericton, NB<\/li>\n<li>2017 Of the Earth &#038; the Ethereal, Gallery on Queen, Fredericton, NB<\/li>\n<li>2016 Five Acadiens artists, Gallery on Queen, Fredericton, NB<\/li>\n<li>2016 J\u2019aime, je consomme, je me consume, Galerie Colline, Edmundston, NB<\/li>\n<li>2016 (Re)voir, Finalistes prix \u00c9loizes, Centre des arts et de la culture, Dieppe, NB<\/li>\n<li>2014 Imagined Dialogues, Galerie d\u2019art Beaverbrook, Fredericton, NB and Galerie Colline, Edmundston, NB<\/li>\n<li>2010 Wolastoq \u2013 beau fleuve, Beaverbrook Art Gallery, Fredericton, NB<\/li>\n<li>2010 Insect, Finalistes prix \u00c9loizes, Mus\u00e9e de Moncton, Moncton, NB<\/li>\n<li>2009 Insect, Mus\u00e9e du Bas St-Laurent, Rivi\u00e8re-du-Loup, Qc<\/li>\n<li>2008 Insect, Beaverbrook Art Gallery, Fredericton, NB and Galerie Colline, Edmundston, NB 2006<\/li>\n<li>2007 Curiosit\u00e9s esth\u00e9tiques, Galerie Colline, Edmundston, NB<\/li>\n<li>2006 Fragilit\u00e9, Galerie Beaus\u00e9jour, Moncton, NB<\/li>\n<li>2006 Federation Gallery, Vancouver, BC (and 2005, 2004, 2003, 2002, 2001, 2000)<\/li>\n<li>2005 Mus\u00e9e de Tunis, Palais Kheireddine, Tunisie<\/li>\n<li>2005 Galeria da Escola, Jaime Cortesao, Combria, Portugal<\/li>\n<li>2004 Galerie Lacroix, Qu\u00e9bec, Qc (and 2002)<\/li>\n<li>2004 Salle du Donjon, Pons, France<\/li>\n<li>2004 Exposition Internationale de Cravans, France<\/li>\n<li>2004 Cloitre des Carmes, Jonzac, France<\/li>\n<li>2004 Chemins du monde acadien, Inverness, Yarmouth et Sydney, N\u00c9<\/li>\n<li>2004 Centre culturel Popesco, Montr\u00e9al, Qc<\/li>\n<li>2003 Galerie du collectionneur, (Saibam) Montr\u00e9al, Qc<\/li>\n<li>2003 Galerie Vivarts, Laval, Qc<\/li>\n<li>2003 Complexe American Can, Montr\u00e9al, Qc<\/li>\n<li>2003 Galerie Lacroix, Qu\u00e9bec, Qc<\/li>\n<li>2002 Salon d\u2019automne International des Beaux-Arts de Montr\u00e9al, Qc<\/li>\n<li>2001 Figuring Reality, Agora Gallery, New York, USA<\/li>\n<li>2001 Hummingbird Centre for the Performing Arts, Toronto, On<\/li>\n<li>2001 Salon International, Saint-Vincent sur l\u2019Isle, France<\/li>\n<li>2000 Salon International, Savignac L\u00e9drier, France<\/li>\n<li>2000 Salon International, Beyssac, France<\/li>\n<li>2000 Salon International, Saint-Sornin Lavolps, France<\/li>\n<li>2000 Exposition internationale du Mill\u00e9nium, Miramichi, NB<\/li>\n<li>2000 Salon d\u2019automne International des Beaux-Arts de Montr\u00e9al<\/li>\n<li>1998 Mus\u00e9e acadien du Qu\u00e9bec, Bonaventure, Qc<\/li>\n<li>1997 Mille saisons, Mus\u00e9e acadien du Qu\u00e9bec, Bonaventure, Qc<span class=\"Apple-converted-space\"> <\/span><\/li>\n<li>1993 Galerie du Haut-St-Jean, Saint-Basile, NB<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text]<b>PROFESSIONNEL DEVELOPMENT <\/b>(Selected)<\/p>\n<ul>\n<li>2023 Atelier en art public avec Julien Lebargy<\/li>\n<li>2020 L\u2019\u00e9volution des arts visuels au XXe si\u00e8cle I &#038; II, Mus\u00e9e historique du Madawaska (et 2019)<\/li>\n<li>2017 L\u2019art moderne et contemporain en 5 gestes, cours en ligne Centre Pompidou, Paris, France<\/li>\n<li>2016 Learning from knowledge keepers of Mi\u2019kma\u2019ki, course en ligne, Cape Breton University, NS<\/li>\n<li>2016 Cours, L\u2019histoire de la beaut\u00e9 I &#038; II, Universit\u00e9 de Moncton, Campus Edmundston (et 2015)<\/li>\n<li>2016 Atelier \u00ab L\u2019art visuel s\u2019\u00e9crit \u00bb avec Serge Murphy, Commissaire<\/li>\n<\/ul>\n[\/vc_column_text][vc_column_text]<b>CONFERENCES, ROUND TABLES DISCUSSIONS, MEETINGS WITH THE PUBLIC<\/b> (Selected)<\/p>\n<ul>\n<li>2021 Conference, \u00ab L\u2019atelier d\u2019artiste \u2013 Cabinet de curiosit\u00e9s \u00bb, Edmundston Art Center, NB<\/li>\n<li>2019 Conference, \u00ab Coup d\u2019\u0153il, processus et influences \u00bb, Mus\u00e9e historique du Madawaska, NB<\/li>\n<li>2015 Conference, \u00ab Art, nature &#038; environnement \u00bb, Edmundston Art Center, NB<\/li>\n<li>2014 Conference, \u00ab Ponctuations \u00bb, Festival des arts visuels en atlantique, Caraquet, NB<\/li>\n<li>2012 Cercle des cr\u00e9ateurs, repr\u00e9sentante arts visuels, Gala prix \u00c9loizes, Bathurst, NB<\/li>\n<\/ul>\n[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_background\u00a0\u00bb full_screen_row_position=\u00a0\u00bbmiddle\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb equal_height=\u00a0\u00bbyes\u00a0\u00bb content_placement=\u00a0\u00bbmiddle\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#323232&Prime; 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background_hover_color_opacity=\u00a0\u00bb1&Prime; column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0&Prime; gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3&Prime; width=\u00a0\u00bb1\/2&Prime; tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbBiographie\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|font_size:72px|text_align:left\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u00a0\u00bb font_container=\u00a0\u00bbtag:h4|text_align:left|line_height:1em\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_column_text]Originally from the small village of Shediac-River, \u00c9veline Gallant Fournier is a multidisciplinary artist who has been living in Edmundston since the late 1970s. Her works are conceived through various media; painting, sculpture, digital art, installations and Landart. Public art is also part of her journey, including Khronos, a monumental work on permanent display at the New Brunswick Botanical Garden. \u00c9veline is also the author and illustrator of a tale and a fantasy novel. Always exploring and seeking new knowledge, she has participated in several artist residencies: bronze sculptures, Atelier du bronze, Inverness, Quebec \u2013 large scale ceramic sculptures, Edmundston Art Center \u2013 smoke fired ceramic and in the ancient Japanese technique of raku, Atelier Josiane Vedrine, Bic, Quebec \u2013 and in Landart, Aux trois Plaquebi\u00e8res, Lam\u00e8que Island. Recipient of several grants for creation, professional development and for the realization of regional community arts projects from the New Brunswick Arts Board; \u00c9veline was also awarded prizes in Atlantic Canada, Qu\u00e9bec and France. In 2014 she was godmother for the Atlantic Visual Arts Festival; and in 2016, she won the prestigious Prix \u00c9loize for visual artist of the year, awarded by the Atlantic Academy of Arts and Letters. \u00c9veline has had numerous solo and group exhibitions in Canada, the United-States, France, Portugal and Tunisia.[\/vc_column_text][\/vc_column_inner][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1&Prime; background_hover_color_opacity=\u00a0\u00bb1&Prime; column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3&Prime; width=\u00a0\u00bb1\/2&Prime; 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background_hover_color_opacity=\u00a0\u00bb1&Prime; column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0&Prime; gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3&Prime; width=\u00a0\u00bb2\/3&Prime; tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb gradient_type=\u00a0\u00bbdefault\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bbD\u00e9marche artistique\u00a0\u00bb font_container=\u00a0\u00bbtag:h1|font_size:72px|text_align:left\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_custom_heading text=\u00a0\u00bb\u00a0\u00bb font_container=\u00a0\u00bbtag:h4|text_align:left|line_height:1em\u00a0\u00bb use_theme_fonts=\u00a0\u00bbyes\u00a0\u00bb][vc_column_text]The BODY and TIME are at the core of my work. I am deeply inspired by prehistoric art, Paleolithic and Neolithic female statuettes, archeology and world mythologies. I explore the primitive essence of women, their creative power and their connection to the earth and the cycles of nature, in both in my visual art and my writings. Whether it is a bird-woman, cocoon-woman or a womb shell installation, my work embodies the feminine and often takes the form of archetypes or hybrids. I use objects-artifacts that carry a patina of time or any other material that resonates with the work in progress. I am particularly drawn to stone and clay. I imagine stone as the bones of the earth and clay as its flesh. Other times I create bodies that take the form of vessels, cocoons or stone structures. This is the case with \u00ab\u00a0Khronos\u00a0\u00bb, a monumental site-specific earthwork where the granite monoliths allude to vertebrae or a rib cage stretching towards the sky. Inside \u00ab\u00a0Khronos\u00a0\u00bb, life flows with the rhythms of nature and changes according to the people and events that resonate in its body-space. The ephemeral art that I create in nature connects me to the passage of time and the body of Mother Earth. I often recycle elements of my ephemeral installations to make new works, thus operating a metamorphosis in their lines of existence. Whatever the approach or the medium used, my works are born from my explorations through TIME, deep into the womb of the universal BODY.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row type=\u00a0\u00bbfull_width_content\u00a0\u00bb full_screen_row_position=\u00a0\u00bbtop\u00a0\u00bb column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb bg_color=\u00a0\u00bb#ffffff\u00a0\u00bb scene_position=\u00a0\u00bbcenter\u00a0\u00bb text_color=\u00a0\u00bbdark\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_border_radius=\u00a0\u00bbnone\u00a0\u00bb row_border_radius_applies=\u00a0\u00bbbg\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb id=\u00a0\u00bbcurriculum-vitae\u00a0\u00bb row_name=\u00a0\u00bbCurriculum Vitae\u00a0\u00bb advanced_gradient_angle=\u00a0\u00bb0&Prime; overlay_strength=\u00a0\u00bb0.3&Prime; 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divider_color=\u00a0\u00bbextra-color-2&Prime;][vc_row_inner column_margin=\u00a0\u00bbdefault\u00a0\u00bb column_direction=\u00a0\u00bbdefault\u00a0\u00bb column_direction_tablet=\u00a0\u00bbdefault\u00a0\u00bb column_direction_phone=\u00a0\u00bbdefault\u00a0\u00bb text_align=\u00a0\u00bbleft\u00a0\u00bb row_position=\u00a0\u00bbdefault\u00a0\u00bb row_position_tablet=\u00a0\u00bbinherit\u00a0\u00bb row_position_phone=\u00a0\u00bbinherit\u00a0\u00bb overflow=\u00a0\u00bbvisible\u00a0\u00bb pointer_events=\u00a0\u00bball\u00a0\u00bb][vc_column_inner column_padding=\u00a0\u00bbno-extra-padding\u00a0\u00bb column_padding_tablet=\u00a0\u00bbinherit\u00a0\u00bb column_padding_phone=\u00a0\u00bbinherit\u00a0\u00bb column_padding_position=\u00a0\u00bball\u00a0\u00bb column_element_spacing=\u00a0\u00bbdefault\u00a0\u00bb background_color_opacity=\u00a0\u00bb1&Prime; background_hover_color_opacity=\u00a0\u00bb1&Prime; column_shadow=\u00a0\u00bbnone\u00a0\u00bb column_border_radius=\u00a0\u00bbnone\u00a0\u00bb column_link_target=\u00a0\u00bb_self\u00a0\u00bb gradient_direction=\u00a0\u00bbleft_to_right\u00a0\u00bb overlay_strength=\u00a0\u00bb0.3&Prime; width=\u00a0\u00bb1\/2&Prime; tablet_width_inherit=\u00a0\u00bbdefault\u00a0\u00bb animation_type=\u00a0\u00bbdefault\u00a0\u00bb bg_image_animation=\u00a0\u00bbnone\u00a0\u00bb border_type=\u00a0\u00bbsimple\u00a0\u00bb column_border_width=\u00a0\u00bbnone\u00a0\u00bb column_border_style=\u00a0\u00bbsolid\u00a0\u00bb][vc_column_text]SINGULAR PROJETS 2018 Imaginarium, worldbuilding project, writing and digital art (ongoing) 2014 Cocons, international art project 2011 Khronos, \u00ab Earthwork \u00bb, permanent, public art Nouveau-Brunswick Botanical Garden [\/vc_column_text][vc_column_text]LITT\u00c9RATURE (liste abr\u00e9g\u00e9e) 2026 Cosmogonie et rituels, retraite d&rsquo;\u00e9criture avec Audr\u00e9e Wihelmy 2021 H\u00e9ro\u00efnes jeunesse en bande dessin\u00e9e, atelier avec Karensac 2021 Salon du livre d&rsquo;Edmundston (et 2009) 2020 Auteure et illustratrice du roman fantastique \u00ab Stella-Maris \u00bb, Publisher La Grande Mar\u00e9e 2020 Illustrating children\u2019s books, workshop with R\u00e9jean Roy 2019 The Art of Storytelling, online MasterClass with Neil Gaiman 2008 Auteure et illustratrice \u00ab The Medusa of P\u2019tit-Sault \u00bb 2008 Regional Arts Grant, artsnb, creation and publication \u00ab The Medusa of P\u2019tit-sault \u00bb [\/vc_column_text][vc_column_text]LANDART (Selected) 2025 The Rewilding of the Goddess (ongoing) 2019 Fossils, travelling ephemeral installations, NB et Qc (ongoing) 2017 Artist Residency, Aux Trois Plaquebi\u00e8res, Ste-Marie-St-Raphael, \u00cele Lam\u00e8que, NB (and 2015) 2014 Ab Ovo, installations \u00e9ph\u00e9m\u00e8res dans la nature, NB et Qc (ongoing) 2013 Radeau du d\u00e9sir, art in situ, Forum of the Professional Status of Artists, Shippagan, NB 2013 Seed Catchers, travelling ephemeral installations, NB (ongoing) 2012 Ophelia, travelling ephemeral installations, NB (ongoing) [\/vc_column_text][vc_column_text]EXPOSITIONS SOLO 2026 R\u00e9ensauvagement de la d\u00e9esse, Galerie Colline, Edmundston, NB 2021 Cabinet de curiosit\u00e9s, Centre des arts d\u2019Edmundston, NB 2020 Curio, Festival d\u2019art actuel,&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2479","page","type-page","status-publish"],"_links":{"self":[{"href":"https:\/\/gallantfournier.com\/fr\/wp-json\/wp\/v2\/pages\/2479","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gallantfournier.com\/fr\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gallantfournier.com\/fr\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gallantfournier.com\/fr\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gallantfournier.com\/fr\/wp-json\/wp\/v2\/comments?post=2479"}],"version-history":[{"count":26,"href":"https:\/\/gallantfournier.com\/fr\/wp-json\/wp\/v2\/pages\/2479\/revisions"}],"predecessor-version":[{"id":3106,"href":"https:\/\/gallantfournier.com\/fr\/wp-json\/wp\/v2\/pages\/2479\/revisions\/3106"}],"wp:attachment":[{"href":"https:\/\/gallantfournier.com\/fr\/wp-json\/wp\/v2\/media?parent=2479"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}